Robin Trower on Bond-inspired riffs, phone-recorded ideas, and the gear behind his signature sound

This year brought two major releases from Robin Trower: the 50th-anniversary edition of For Earth Below and a brand-new studio album, Come And Find Me.
Even though his classic albums like Bridge of Sighs have legendary status today, Trower says that back in the 70s the band simply tried to make the best music they could — without feeling pressured by expectations.

Half a century later, the creative process has changed dramatically.

• Trower builds every song starting with a guitar idea, playing every day for inspiration.

• Initial sketches are quickly captured on his phone.

• The album reflects his thoughts on modern restrictions and society’s increasing rules.

• One song began as an experiment: “Could I write something for a James Bond film?”

• He still uses his signature Stratocasters crafted by Todd Krause.

• He believes a larger headstock may enhance resonance.

• His sound relies on 50-watt Marshalls, open-back 2×12 cabs and classic Fulltone pedals.

• High volume remains essential to achieving his expressive live tone.
   

🎛 From the old recording days to modern workflows

In the 70s, guitar, bass and drums were tracked live, while vocals and solos were added later.
Today, Trower starts with a guitar part over programmed drums and builds the entire track from that foundation — a method that gives him complete control over every detail.

🎼 Writing music today

Trower plays guitar daily. If a riff or progression feels inspiring, it becomes the seed of a new song.
Once he figures out the vocal melody, he turns to the lyrics — usually the most time-consuming stage.

He is so prolific that he has already completed another unreleased album.

📱 Song ideas captured on a phone

For the past few years, Trower has used his phone to record quick sketches.
When he enters the studio, he already has the full arrangement in mind — or saved as a voice memo — which becomes the basis for the finished song.

🧩 The album’s thematic core

Come And Find Me reflects Trower’s sense that society is becoming more regulated, with more rules and less personal freedom.
One track states: “I don’t need anyone thinking for me.”
The album channels this tension into its emotional tone.

🎥 Bond-flavored inspiration for Take This Hurt Away

One track started with a playful challenge:
“Could I compose something suitable for a James Bond soundtrack?”

The initial musical idea had that cinematic feel, though the final song evolved into its own style.

🛠 Gear and setup
 

Guitars

Trower’s signature Stratocasters feature:

• a large headstock (which he believes might add resonance),

• a mix of ’50s, ’60s and Texas Special pickups,

• vintage-style bridge,

• locking tuners and large frets.
   

Amplifiers

• 50-watt Marshall 1987 heads

• two open-back 2×12 cabinets

Closed 4×12 cabs provide too much low end with his preferred neck pickup.

Pedals

His board is dominated by Fulltone pedals like the Deja Vibe and Clyde wah.
He also owns a rare custom WahFull pedal made specifically for him.

🔊 Why volume still matters

Trower believes the interaction between loud amps and guitar pickups creates his trademark singing sustain.
It’s harder to achieve in the studio, but indispensable onstage.